"I Am in the Collection" is acollection of Mr. Qiu Jiduan.
I read each line carefully, covering up andsighing: This is the Goldbach conjecture in the map of Chinese culture! As acultural scholar and collector, my heartstrings were strongly tugged, and theemotional tide kept me awake at night. Five hundred pages of masterpiece, Iread it carefully in three days. Then I want to say, I want to write, with alyric of depression in the chest, the tenacity of the life of the praisercontext!
In 1978, the writer Xu Chi published areportage that made the German mathematician "Goldbach" and theChinese mathematician Chen Jingrun a household name. Goldbach came up with abig mathematical problem that no one could solve for hundreds of years, andChen Jingrun made a breakthrough achievement, only one step away from reachingthe top. Chan was a great figure, but Goldbach's place in history was equallyimportant, because he saw the deep problems of number theory and asked veryprofound real questions. Because of him, this number theory problem was namedthe " Goldbach conjecture ".
Qiu Jiduan also raised epoch-making andextremely important questions in the field of Chinese cultural history, which Ithought could be named "Qiu Jiduan Cultural Conjecture". This articleomits the praise of Mr. Qiu Jiduan as a successful patriotic industrialist, aphilanthropist who has made significant contributions, a top collector ofmillions of artifacts and paintings, etc., and goes straight to the theme of"Qiu Jiduan's Cultural Conjecture". This topic is so important that Ican't wait to introduce it to my readers.
Mr. Qiu Jiduan invested in theestablishment of Xiamen Han Jiang Xue Art Museum, with a total area of 30,000square meters, displaying hundreds of thousands of artifacts, calligraphy andpaintings, many of which completely break through the existing interpretiveframework and strongly impact the existing evaluation system. With the profoundeducation of liberal arts students of Beijing Normal University in 1962, Mr.Qiu has insight into the cultural code hidden in thousands of ancientartifacts. He was shocked and struck by the cupid-gold arrow of the sages ofthe ages. He was touched because he could be moved. He is not an ordinarycollector, in essence he is a big cultural person, a cultural collector withnational integrity, cultural care, and historical responsibility. Finally, hespoke, article after article, he began to challenge authority and challengeconclusions like a hot-blooded young man, which was spectacular, forming anindestructible chain of evidence for the "history of things". Thissystematic and revolutionary discovery of what is the academic historicalsignificance of this kind of systematic and revolutionary discovery, and itwill be discussed slowly. Let's start with what Mr. Qiu Jiduan found?
Guess 1: Chinese culture has a fertilecrescent of ancient civilization with a "C" shape that predatesHomer's epic poems by more than three or four thousand years
Xiamen Han Jiang Xue Art Museum displaystens of thousands of jade artifacts of Hongshan culture, Sanxingdui culture andLiangzhu culture. These exhibits do not come from "fields", but fromfolk collections, specially designed for social archaeological collections. Atpresent, folk collectors in various places have built collection halls ofHongshan culture, Sanxingdui culture and Liangzhu culture. And the " HanJiang Xue" is the only one that gathers a number of jade culturestogether, comprehensively observes and refines them. In this regard, Mr. QiuJiduan named it "ancient civilization". From the Greater Khing'anMountains and Mongolian Plateau in the north, to the Tianshan Mountains andKunlun Mountains in the west, across the Himalayas in the south, and thePacific Ocean in the east, various different prehistoric ancient jade artifactsunearthed in this vast area have hidden internal connections. Mr. Qiu Jiduansaid: "From the Liaodong Peninsula to Inner Mongolia, from Gansu andQinghai to the Qinghai-Tibet Plateau, from Tibet to Wenchuan in Sichuan to theDudu Plain, through the Qujialing Shijia River in Hubei and Hunan, toLingjiatan in Anhui, from Lingjiatan to Dongting Lake and Poyang Lake to theHangjiahu area in South Taihu Lake, this 'Fertile Crescent Land' is like aChinese jade pig dragon with its head facing east." Chinese magnificentepics performed by ancestors will overshadow old world-historicalinterpretations. It bears witness to the ancient era of human civilization thathuman historians have not yet demonstrated-the era of Chinese jade culture,which is unique in the world. "Strung together this Chinese jade pigdragon chain are three dragons that shook the ancient and modern times, it isthe Red Mountain Jade Culture, the Sanxingdui Jade Culture, and the LiangzhuJade Culture, and the dragon head is the Red Mountain Jade Culture, which isabout 5,000 to 10,000 years ago."
As the saying goes, be well-informed.Standing at the peak of artifact culture to scan the overall situation, north,south, west and east, the long scroll of jade culture stretches endlessly.Their shape, connotation, use, and symbolism all show correlation, and the timeis between 5,000 and 15,000 years, such as the "sacrificial artifact"of the Hongshan culture, which concentrates the three elements of the Hongshan,Sanxingdui and Liangzhu cultures. The typical artifacts of these objects aredisplayed one by one in the Han Jiang Xue Art Museum, and viewers can touch andstudy them in person. The deeper content needs to be studied and confirmed. Itleaves a lot more "why" than a hundred thousand whys?”
The proposal of "Fertile Land of theChinese Crescent of Ancient Civilization", that is, the "C"shaped jade cultural belt, is a major contribution of Mr. Qiu Jiduan.
Guess 2: The center of gravity of Xiaculture may be in the Sanxingdui area
The Xia Shang and Zhou Dynasty Project inthe field of Chinese cultural relics spent a lot of money trying to findevidence of the origin of Xia culture. At present, the conclusion of"Henan Erlitou" seems to be a foregone conclusion. However, due toincomplete evidence, the Xia dynasty is still not recognized by the internationalacademic community. According to the Xia Shang Zhou Project, the Xia Dynastyexisted from about 2070 BC to 1600 BC, and the first monarch was Yu, and"the Erlitou site is the capital of the Xia Dynasty has become a consensusin Chinese scholars".
The jade and bronze artifacts in the HanJiang Xue Art Museum's collection of jade and bronze artefacts are ingeniouslyconceived, complex in content, complex in text, and aged, all of which exceedthe archaeological achievements of Erlitou. " Han Jiang Xue" containsthe "Sanxingdui copper-zinc alloy birdman top yao yao", which wastested by the art manufacturing year meter, which was made in 4130 BC. The"Sanxingdui Jade Print" in the " Han Jiang Xue" collectionis 4 meters x 1 meter, which is composed of dozens of jade blocks, with a warscene on the front and a picture of life landscape on the reverse. The jadeplate reproduces the true face of the ancient city silhouette, including citywalls, door holes, ice carts, soldiers, and weapons; On the map of life, the mountainsare undulating, the trees are green, there are lakes, boats, houses, birds,lackeys. This jade plate was tested and made in 3885 BC, belonging to the earlySanxingdui culture. The above two physical items are both earlier than the"Erlitou" cultural layer in time.
In " Han Jiang Xue", there aremore than two similar artifacts.
The question arises, as long as we face upto the artifacts hidden in the "cold river and snow", a question willarise: Is this picture of the city and life that is earlier and more complexthan Erlitou a portrayal of human life before Xia and Xia? Therefore, Mr. QiuJiduan said that to find the Xia Dynasty, attention should be placed in thesouthwest direction and on the Sanxingdui area. "You can't dig the summercapital for 10,000 years in Erlitou"! This bold and offensive conjecturecomes from the confident belief in "history with physical evidence"and the scientific and technological detection methods supported by its belief.Changes in the tools of observation must change human perceptions of nature. Asa cultural person, Mr. Qiu Jiduan has long known this truth. He did his best topurchase a variety of domestic and foreign testing instruments, cross-checkeach artifact in his possession, and conducted tens of thousands of tests forthe year, as he said: the accuracy rate was 98%.
Regarding the focus of the Xia Dynasty inthe southwest, folk scholars and collectors have long spoken intermittently,but the voice is weak, the evidence is insufficient, or the systematic evidenceis unconditionally concentrated to persuade others. This view, caricatured bysome in the system as "wild fox Zen", is completely unrecognized, andacademic authorities do not even give a glimpse of the opportunity.
Mr. Qiu Jiduan's major contribution lies inthe fact that he consciously collected physical evidence of Xia culture in thefolk on the premise of thick collection conditions, especially the artifactsengraved with text patterns in Sanxingdui, which can be collected andcollected, and there are thousands of artifacts in the ocean, some of which arehuge in size and breathtaking. The scientific testing project of artifactspresided over by Mr. Qiu Jiduan pushed the upper limit of Sanxingdui and someLiangzhu jade manufacturing to the fifth millennium BC, or even earlier, farbefore the archaeological year layer of Erlitou. More importantly, thetranslation of Sanxingdui and Liangzhu ancient characters organized and guidedby him is effectively and gradually progressing. The scenes of city-states,sacrifices, religions, and interpersonal exchanges in Xia dynasty society areslowly emerging through written interpretation. In order to find the truesource of Xia culture, Mr. Qiu Jiduan made his own unique and epoch-makingcontribution by saving his life in ancient years, "although millions ofpeople are going to the end", and he went ahead and shouted, and thereputation was carried by the wind of people, and made his own unique andepoch-making contribution, with the further development of Sanxingduiarchaeology, the truth will surely be presented. As the country is concerned,experts in the system should pay attention to this new cultural phenomenon andlisten to the voices of Mr. Qiu Jiduan and a group of non-governmentalresearchers. History bows to facts.
Guess 3: There is a history ofprehistoric exchanges between West Asian and North African civilizations andEast Asian civilizations
The large number of artifacts displayed inthe Han Jiang Xue Art Museum have incredible patterns, symbols and shapes, andtheir connotations are so profound and vast that it is impossible to interpret.For example, in the large-scale ceremonial vessels of the Hongshan culture, alarge number of shapes similar to Sanxingdui longitudinal people have beenfound. "And Sanxingdui's writing, astrology, sacrificial rituals, etc. areso similar to the civilization of the Sumerians." Qiu Jiduan believes,"Because the Sumerians were originally an ethnic group living in theHongshan region of Northeast Asia, this area was a treasure land of feng shuisuitable for human habitation around 10,000 years ago, and a huge number ofethnic groups and ethnic groups thrived here." They merge with each otherand collide fiercely. Later, they migrated on a large scale, and one of thetroops divided into two routes, some to the Two Rivers Valley, and some to theDashu region. Those who migrated to the Two Rivers Valley created a splendidculture that archaeologists discovered two hundred years ago and named theSumerians. Later, they reunited in Gushudi and became a branch of Sanxingdui.They integrated with all ethnic groups in China and worked together to createthe brilliant Sanxingdui civilization. ”
In the collection of " Han Jiang Xue",there are Egyptian pharaoh statues, West Asian figures, sacrificial ritualswith the characteristics of the Niroma River culture, etc., which arecompletely incomprehensible and inexplicable according to common sense.Therefore, some people speculate that Sanxingdui is an alien culture, and thetheory of "Chinese civilization foreign" seems to have added anothercorroboration. From a broader perspective, from the distant northern Hongshanculture scan to the Sichuan Basin and the southeast coast, Qiu Jiduan guessedthat the Sanxingdui civilization is a meeting place of different ethnic groups,and there is a history of prehistoric exchanges between the east, west, southand north.
If this speculation is true, the history ofancient human civilization so far will have to be rewritten. Who wants to denyit? The actual thing is on display at the Hanjiang Snow Art Museum! Who canexplain why Sanxingdui jade is depicted with an Egyptian pharaoh? However, thismust be explained. A tiny unknown discovery of a fact may herald the emergenceof an astonishing law – the "abduction" law of scientific discovery.
Guess 4: The use of writing by theChinese ancestors predates any assertion to date
"The earliest Chinese script is oraclebone script, about 3300 years ago. Oracle bone script is the earliest maturewriting system discovered in China so far, and it is also the source of Chinesecharacters and the root vein of China's excellent traditional culture" -this is the standard answer from Baidu.
For this textbook assertion that made Trumplook down on Chinese civilization and made some famous professors madly claimthat the history of Chinese civilization is only 3700 years old, Han Jiang XueArt Museum strongly refuted it with physical objects. More than 10,000 ancientcharacters have been found on jade artifacts dating back more than 5,000 yearsin the " Han Jiang Xue" collection. On Sanxingdui, Liangzhu, andHongshan Black Skin Jade, mature, shaped, texts expressing complex content havebeen found, and some are articles. For example, on the Sanxingdui ancient jadeversion quoted above, there are more than 1,100 words. With the encouragementand support of Mr. Qiu Jiduan, Chinese folk scholars (including Taiwanesescholars) are enthusiastically studying this mysterious text that predates theoracle bone script, and some have successfully interpreted it. Qiu Jiduansighed: "The experts, scholars, and professors in the system areindifferent and disdainful!" Qiu Jiduan shouted: "Before the ancientcharacters of Hongshan, Sanxingdui, and Liangzhu were not cracked, it was saidthat China only had 3,300 to 3,700 years of civilization history, which wasboth himself and foolish others!"”
Realizing this, not only Qiu Jiduan isalone, but Mr. Qiu Jiduan is the first person in the world who not only has thethree major civilization objects, but also speaks out for the right name, andalso organizes manpower to conduct research and solve the mystery of ancientcharacters!
Guess 5: National treasures are in thepeople
This topic is not only the judgment of Mr.Qiu Jiduan, but also the consensus of tens of millions of collectors in China.Mr. Qiu Jiduan is one of the outstanding practitioners. Due to China's specialsocial and historical situation, "national treasures in the people"has become a worldwide cultural symptom, which has attracted everyone'sattention. In addition to the above-mentioned folk discoveries of Hongshan,Sanxingdui and Liangzhu cultural relics in large numbers among the people, alarge number of exquisite historical artifacts such as porcelain, bronzes, andBuddhist artworks are also preserved in large quantities among the people. Whatis more important to say here is that the number and quality of the importantancient Chinese calligraphy and painting relics in the history of humancivilization are comparable to or even exceed those of major museums. In thiscollection of essays, Mr. Qiu Jiduan uses the exquisite collections he hascollected from the private sector to compare them with the collections of majormuseums, carefully distinguishing right from wrong, and revealing the amazingtruth. However, I still weakly say that this is Mr. Qiu Jiduan's"conjecture", because we have not yet had the opportunity to take outthe collection and compare them. But the material provided in the anthology isenough to shake the mountain. If Mr. Qiu Jiduan's "conjecture" can beestablished, the collection of ancient Chinese paintings and calligraphy inmajor museums around the world (including the Forbidden City on both sides ofthe strait) will face a subversive embarrassing situation. Truth or face? Let'swait and see.
In this collection, Mr. Qiu Jiduan took outthe " Han Jiang Xue" collection and compared it with the collectionsof major museums: Tang Li Sixun's "Silk Road Landscape Map", NorthernSong Dynasty Wang Ximeng's "A Thousand Miles of Rivers andMountains", Jin Gu Kai's "Luoshen Fu Map", Northern Song DynastyLiu Songnian's "Cultivation Map" and "Cultivation and WeavingMap", Southern Tang Li Yu's "Spring Shao Bird Song Map", TangYan Liben's "Lock Lian Map", Tang Yan Zhenqing's "Manuscript ofSacrifice to Nephews", Eastern Jin Dynasty Wang Xizhi's "Fast SnowTime Qinghe Post", Northern Song Dynasty Zhang Zheduan "QingmingShanghe Map", Ming Qiuying's "Thousand Miles of Rivers and Mountains",Northern Song Dynasty Mifu " Thirteen calligraphy and paintings, includingShu Suthei", "Neifu Collection of Three Xi Treasure Scrolls",and Huang Tingjian's "Pillar Ming" of the Northern Song Dynasty. Mostof these thirteen calligraphy and paintings are in the collections of major museums,and a few are auctioned at a high price of hundreds of millions of yuan. Theimportance and historical value of the work, which does exceed the famousItalian painting "Mona Lisa"!
Qiu Jiduan's Han Jiang Xue Art Museumcollects the twins of these masterpieces, and Mr. Qiu Jiduan, who "doesnot know the height of the sky and the thickness of the earth", actuallyhit the fake of the museum's collection! The comparative evidence presented byMr. Qiu Jiduan in the collection of articles can be judged by the officialsthemselves. I know calligraphy and painting, I obey. This is not just a stonebreaking the sky, this is a mountain shaking. If these comparisons are finallyconfirmed, the knowledge system of the museum system will be broken andreorganized. However, how is this not a great academic improvement in Chinesecultural studies?
The content covered in this collection,whether it is jade, bronze, porcelain, miscellaneous, ancient tea, or ancientcalligraphy and painting, is enough to see Mr. Qiu's vision and mind. What Iwant to say is: Mr. Qiu is great, his greatness lies in the fact that hesingle-handedly collected the physical evidence of civilization, and hiscollection was not for the purpose of picking up leaks for profit, but spendinga lot of money to use material evidence history. He knows that the road aheadis difficult and dangerous, and the road to implement and confirm every"conjecture" is full of traps and obstacles, not only powerful andfamous big names to block it, but also the ubiquitous collection circle ofDoumachi Xiaoru to disturb, but he still persevered. Fortunately, along withthe advance, there are many folk collectors and old gentlemen in the uprightcultural and museum world. They love Chinese culture and Chinese culturalrelics, and know that the blood of a nation is deeply rooted here, and cannotbe desecrated or neglected.
Toward the end of this article, I amreminded of the Italian Renaissance Bruno priest, who was burned to death inRome's Campo de' Fiori for insisting on defending Copernicus' heliocentrism.Bruno sacrificed his life for upholding the truth. Times are different, and onthe land of China today, the "10,000-year history of Chinesecivilization" hypothesis firmly believed by the patriotic collectors representedby Qiu Jiduan and the truth of "history with material evidence" willdefinitely be carried forward under the bright sky dome of China in the newera.
Du Fu's poem "Gazing on Mount Tai"said: " Clouds rise there from and lave my breast; I stretch my eyes tosee birds fleet. I will ascend the mountain’s crest; It dwarfs all peaks undermy feet. "Mr. Qiu Jiduan has reached the peak in the field of culturalcollection, and he can be called a contemporary hero! Mr. Jin invited me towrite the foreword, as a junior who did not dare to take on this task, I wouldlike to make a "feeling after reading" to pay tribute to Qiu Lao, whois destined to become a historical figure.
Qiu Jiduan's "Five CulturalConjectures" will surely be engraved on the monument of history!
XuMing: Researcherand doctoral supervisor of Shanghai Academy of Social Sciences, Distinguishedresearcher of Chinese Academy of Social Sciences, Vice President of the Chinese Society of Chineseand Foreign Literary and Art Theory.
Brief Introduction of Qiu Jiduan
Qiu Jiduan is a famous Hong Kongindustrialist, collector, philanthropist from Shishi, Fujian Province. He isthe sole investor of the world-renowned “Xi Ying Men” furniture and China’slargest private art museum “Han Jiang Xue”. Among his countless charitabledonations, the world-famous Chinese women’s volleyball team and the famousBeijing Normal University Gymnasium are his unparalleled pride. His father was killed by the Japanese armyduring World War II. Apart from the loveof his grandmother and mother, his childhood was filled with hunger andhardship. He graduated from theprestigious Beijing Normal University, but history did not give him a teachingposition. He had to choose “to provehistory with objects” and collect for the country. He wanted to use cultural relics to educatestudents and realize his dream of home and country with his dream as ahorse. He has collected nearly a millionpieces of art, covering not only ancient Chinese jade, bronze, pottery, ancientand modern paintings and calligraphy, ancient furniture, but also ancientcivilizations such as Liangzhu, Hongshan, Sanxingdui, and Qijia. Followingnature, learning from each other’s civilizations, exploring tirelessly, andstriving for progress are his consistent philosophy and practice. And facing the wind with a torch and fishingalone in the cold river are his style or characteristics.
相关链接：
邱季端《我在集》：中国文化地图中的“哥德巴赫猜想”
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